Roy Lichtenstein, ‘The Kiss IV ’, 1962


Brian Korte, 2006

D*Face, ‘Kiss of death’, 2011
D*Face, ‘Kiss of death’, 2011








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Roy Lichtenstein, ‘I can see the whole room, and there’s nobody in it,’ 1961

David Barsalou, ‘I Can See The Whole Gallery… And There’s No Art In It!’, Deconstructing Roy Lichtenstein series, 2000
David Barsalou, ‘I Can See The Whole Gallery… And There’s No Art In It!’, Deconstructing Roy Lichtenstein series, 2000

LG Williams, ‘I Can See The Whole Room! And There’s No Art In It!’, 2011 (LG Williams and The Estate of LG Williams)
LG Williams, ‘I Can See The Whole Room! And There’s No Art In It!’, 2011

Richard Bell, ‘I can see the whole room’, 2007, acrylic on canvas
Richard Bell, ‘I can see the whole room’, 2007

Ken Surman, ‘I Can See The Whole Universe From Here! ... And It's Fucking Shit!’, #1, 2011, 30 x 30 inches onto framed canvas
Ken Surman, ‘I Can See The Whole Universe From Here! … And It’s Fucking Shit!’, #1, 2010

Simon Russel, ‘Appropriating I can see the Whole Room and There’s Nobody in It (...)’, 2012
Simon Russel, ‘Appropriating I can see the Whole Room and There’s Nobody in It (…)’, 2012

Bobby Rees, ‘Promo Only Club Video,’ 2003, dvd album cover
Bobby Rees, ‘Promo Only Club Video,’ 2003

Carl Flint, ‘I can see the whole art world…’
Carl Flint, ‘I can see the whole art world…’

t2fir56 , ‘I can see the whole room and everyones in it…’
t2fir56 , ‘I can see the whole room and everyones in it…’

Caroline Bachmann - Stefan Banz, ‘I Can See The Whole Room... (After Roy Lichtenstein)’ 2012
Caroline Bachmann - Stefan Banz, ‘I Can See The Whole Room… (After Roy Lichtenstein),’ 2012

Tara Abrahams, Maxime Bocken, ‘I can see the hole room,’ 2017, model Stephanie Abbott
Tara Abrahams, Maxime Bocken, ‘I can see the hole room,’ 2016


Mowry Baden, ‘I can see the whole room,’ 1994








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Gustav Klimt, ‘The Kiss,’ 1907-1908

Roy Lichtenstein (1923-1997), ‘The Kiss’, 1961, oil on canvas, 203.2 x 172.7 cm
Roy Lichtenstein, ‘The Kiss’, 1961

David Hammons (1943), ‘Untitled (The Embrace),’ 1975
David Hammons, ‘Untitled (The Embrace),’ 1975

Gabriel Vormstein, La morte non trapasso, 2003, watercolour on paper, 156 x 112 cm
Gabriel Vormstein, ‘La morte non trapasso’, 2003

Bill Sienkiewicz, Elektra the Hand (5), 2004
Bill Sienkiewicz, ‘Elektra the Hand (5)’, 2004

Moises González, 'La esencia de Klimt Magazine', 2007
Moises González, ‘La esencia de Klimt Magazine’, 2007

Boyko Kolev, The Kiss - after Gustav Klimt, 2010, 90 x 80 cm, acrylic and oil on canvas
Boyko Kolev, ‘The Kiss - after Gustav Klimt’, 2010








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