Roy Lichtenstein, ‘The Red Horseman’, 1974
Elaine Sturtevant, ‘Lichtenstein Study for Red Horseman’, 1988
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1974
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Sol LeWitt, ‘Incomplete Open Cube’, 1974
, 2007. Two painted and brushed aluminium cubes, Each, 100.3 x 100.3 x 100.3 cm.jpg "Jonathan Monk, Complete Incomplete Open Cube (With inside resting on outside forever), 2007. Two painted and brushed aluminium cubes, Each: 100.3 x 100.3 x 100.3 cm")
Jonathan Monk, ‘Complete Incomplete Open Cube (With inside resting on outside forever)’, 2007
’, 2010.jpg "Jeremy Millar, ‘Incomplete Open Cubes (Burnt)’, 2010")
Jeremy Millar, ‘Incomplete Open Cubes (Burnt)’, 2010
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Lynda Benglis, ‘Artforum advertisement’, November 1974
Kirsten Stoltman, ‘Artforum Ad’, 2000
Dan Fischer, ‘Lynda Benglis’, 2003
Man Ray, ‘Femme tenant l’Objet désagreable’, 1937
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Richard Long, ‘A Line in Ireland,’ 1974
,’ 2007, photograph, colour, on paper mounted onto aluminium, 122 x 152 cm.jpg "Carey Young, ‘Body Techniques (after A Line in Ireland, Richard Long, 1974),’ 2007, photograph, colour, on paper mounted onto aluminium, 122 x 152 cm")
Carey Young, ‘Body Techniques (after A Line in Ireland, Richard Long, 1974),’ 2007
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Christian Boltanski, ‘Petit Christian’, 1974
Dennis Oppenheim, ‘Theme for a Major Hit’, 1974 (detail)
Maurizio Cattelan, ‘Charlie’, 2003
Pierre Huyghe, ‘This is not a time for dreaming’, 2004
Rirkrit Tiravanija and Philippe Parreno, ‘Untitled’, 2005
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Joseph Beuys, ‘I Like America and America Likes Me’, 1974
Matthew Day Jackson, ‘Chariot II (I Like America and America Likes Me)’, 2008
Stefan Nikolaev, ‘I Hate America and America Hates Me’, 2009
Sutton Beres Culler, ‘I Like America, America Likes Me’, 2011
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