1974

Roy Lichtenstein, ‘The Red Horseman’, 1974

Elaine Sturtevant, Lichtenstein Study for Red Horseman, 1988, pencil and colored pencil on paper, 50.2 x 59.7 cm
Elaine Sturtevant, ‘Lichtenstein Study for Red Horseman’, 1988








no comment

Sol LeWitt, ‘Incomplete Open Cube’, 1974

Jonathan Monk, Complete Incomplete Open Cube (With inside resting on outside forever), 2007. Two painted and brushed aluminium cubes, Each: 100.3 x 100.3 x 100.3 cm
Jonathan Monk, ‘Complete Incomplete Open Cube (With inside resting on outside forever)’, 2007

Jeremy Millar, ‘Incomplete Open Cubes (Burnt)’, 2010
Jeremy Millar, ‘Incomplete Open Cubes (Burnt)’, 2010








no comment

Lynda Benglis, ‘Artforum advertisement’, November 1974

Kirsten Stoltman, Artforum Ad, 2000
Kirsten Stoltman, ‘Artforum Ad’, 2000

Dan Fischer, Lynda Benglis, 2003, graphite on paper, 56.5 x 38.1 cm
Dan Fischer, ‘Lynda Benglis’, 2003

Man Ray, Femme tenant l
Man Ray, ‘Femme tenant l’Objet désagreable’, 1937








no comment

Chris Burden, ‘Transfixed’, 23 April 1974


Damián Ortega, ‘Moby Dick’, June 3 2005








no comment

Christian Boltanski, ‘Petit Christian’, 1974


Dennis Oppenheim, ‘Theme for a Major Hit’, 1974 (detail)


Maurizio Cattelan, ‘Charlie’, 2003


Pierre Huyghe, ‘This is not a time for dreaming’, 2004


Rirkrit Tiravanija and Philippe Parreno, ‘Untitled’, 2005








2 comments

Joseph Beuys, ‘I Like America and America Likes Me’, 1974

Matthew Day Jackson, Chariot II (I Like America and America Likes Me), 2008
Matthew Day Jackson, ‘Chariot II (I Like America and America Likes Me)’, 2008


Stefan Nikolaev, ‘I Hate America and America Hates Me’, 2009

Sutton Beres Culler, ‘I Like America, America Likes Me’, 2011
Sutton Beres Culler, ‘I Like America, America Likes Me’, 2011








no comment

Gordon Matta-Clark, ‘Conical Inter-Sect’, 1974


Pierre Huyghe, ‘Light Conical Intersect’, 1996


Richard Wilson, ‘Turning the Place Over’, 2007








no comment