André Breton with Francis Picabia’s target and manifest, Dada Festival, Paris, 1920
no comment
Francis Picabia, ‘Francis Picabia par Francis Picabia’, c. 1920-22
Maurice Lemaître, ‘Portrait of a name’, 1950
Edward Ruscha, ‘E. Ruscha’, 1959
Bruce Nauman, ‘My name as though it were written on the surface of the moon’, 1968
Alighiero Boetti, ‘Self Portrait’, 1968
Marcel Broodthaers, ‘La signature, série 1’, 1969
Ed Paschke, ‘Cadmium Signature’, 1979
Futura 2000, ‘Futura 2000’, c. 1980
Mike Kelley, ‘Pond Gift’, 1987
Maurizio Cattelan, ‘Catttelan’, 1994
Sean Landers, ‘Sean, Sean, Sean’, 2000
Glenn Ligon, ‘En El Cielo’, 2001
Tiravanija Rirkrit, ‘Untitled (Paul writing my name, No. 3)’, 2003
Michael Stumpf, ‘Autograph’, 2005
Johannes Wohnseifer, ‘Selbstportrait Nr. 2 (after CW)’, 2006
David Shrigley, ‘Shrigs’, 2006
Dan Flavin. ‘“monument” to V. Tatlin XI’, 1964
Christopher Cross, Jeremy Dixon, Sven Rindl, Peter Watson, Christopher Woodward, ‘Model of Tatlin’s Monument to the Third International’, 1971
Paul Thek, ‘Tower of Babel,’ 1977
Neue Slowenische Kunst, 1986
Mario Cananzi and Roberto Semprini, ‘Tatlin Sofa’, 1989
Ai Weiwei and Fake Studio, ‘Working Progress (Fountain of Light)’, 2007
Howard Mathis, ‘Tatlin’s Tower’
Aristarkh Chernyshev & Alexei Shulgin, ‘3G International’, 2010
Christo, ‘Package’, 1958
Henrik Olesen, ‘Imitation/Enigma (2)’, 2008
Jose Guillermo Castello, ‘Untitled’, 1969
Sturtevant, ‘Duchamp Fresh Widow’, 1992
Günther Förg, ‘Untiltled’, 2000
Gavin Turk, ‘Fresh Window’, 2001
Gary Hume, ‘Yellow Window’, 2002