André Breton with Francis Picabia’s target and manifest, Dada Festival, Paris, 1920
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Francis Picabia, ‘Francis Picabia par Francis Picabia’, c. 1920-22

Maurice Lemaître, ‘Portrait of a name’, 1950

Edward Ruscha, ‘E. Ruscha’, 1959

Bruce Nauman, ‘My name as though it were written on the surface of the moon’, 1968

Alighiero Boetti, ‘Self Portrait’, 1968

Marcel Broodthaers, ‘La signature, série 1’, 1969

Ed Paschke, ‘Cadmium Signature’, 1979

Futura 2000, ‘Futura 2000’, c. 1980

Mike Kelley, ‘Pond Gift’, 1987

Maurizio Cattelan, ‘Catttelan’, 1994

Sean Landers, ‘Sean, Sean, Sean’, 2000

Glenn Ligon, ‘En El Cielo’, 2001

Tiravanija Rirkrit, ‘Untitled (Paul writing my name, No. 3)’, 2003

Michael Stumpf, ‘Autograph’, 2005
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Johannes Wohnseifer, ‘Selbstportrait Nr. 2 (after CW)’, 2006

David Shrigley, ‘Shrigs’, 2006

Dan Flavin. ‘“monument” to V. Tatlin XI’, 1964

Christopher Cross, Jeremy Dixon, Sven Rindl, Peter Watson, Christopher Woodward, ‘Model of Tatlin’s Monument to the Third International’, 1971

Paul Thek, ‘Tower of Babel,’ 1977

Neue Slowenische Kunst, 1986

Mario Cananzi and Roberto Semprini, ‘Tatlin Sofa’, 1989

Ai Weiwei and Fake Studio, ‘Working Progress (Fountain of Light)’, 2007

Howard Mathis, ‘Tatlin’s Tower’

Aristarkh Chernyshev & Alexei Shulgin, ‘3G International’, 2010
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Christo, ‘Package’, 1958
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Henrik Olesen, ‘Imitation/Enigma (2)’, 2008

Jose Guillermo Castello, ‘Untitled’, 1969

Sturtevant, ‘Duchamp Fresh Widow’, 1992

Günther Förg, ‘Untiltled’, 2000

Gavin Turk, ‘Fresh Window’, 2001

Gary Hume, ‘Yellow Window’, 2002