1915

Kazimir Malevich, ‘Last Futurist Exhibition’, 1915

David Diao, Black and White, 1986
David Diao, ‘Black and White’, 1986

Rafael Rozendaal, ‘Malevich’, 2008, ink on paper, 41 x 31 cm
Rafael Rozendaal, ‘Malevich’, 2008

Nicolas Chardon, Carré noir
Nicolas Chardon, ‘Carré noir’








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Kazimir Malevich, ‘Black Square,’ 1915

Lygia Clark (1920-1988), ‘Unidade VI’, 1958, industrial paint on wood, 30.48 x 30.48 cm
Lygia Clark, ‘Unidade VI’, 1958

Ad Reinhardt, Abstract Painting, 1963
Ad Reinhardt, ‘Abstract Painting’, 1963

Art & Language, Two Black Squares (The Paradoxes of Absolute Zero), 1966, acrylic on canvas, 36x36cm
Art & Language, ‘Two Black Squares (The Paradoxes of Absolute Zero)’, 1966

Michael Heizer, Untitled No. 5, 1967-72
Michael Heizer, ‘Untitled No. 5′, 1967-72

Maurizio Nannucci, Do it yourself / Homage to Malevich, 1968
Maurizio Nannucci, ‘Do it yourself / Homage to Malevich’, 1968

Mary Heilmann, The Big Black Mirror, 1975, oil on canvas, 149 x 147.3 x 6.5 cm
Mary Heilmann, ‘The Big Black Mirror’, 1975

Robert Law, Blue Black Indigo Black, 1977
Bob Law, ‘Blue Black Indigo Black’, 1977

Marcia Hafif, Black Painting: Ultramarine Blue and Burnt Umber II, 1979-80, oil on canvas, 215x200cm
Marcia Hafif, ‘Black Painting: Ultramarine Blue and Burnt Umber II’, 1979-80

Peter Halley, White Cell with Conduit, 1985
Peter Halley, ‘White Cell with Conduit’, 1985

Maria Konstantinova, ‘KMMK (Kasemir Malevich and Maria Konstantinova)’, 1989, cloth, 78 x 78 x 17.7 cm
Maria Konstantinova, ‘KMMK (Kasemir Malevich and Maria Konstantinova)’, 1989

Olivier Mosset (1944), ‘1878\C,’ 1989, laminate on wooden panel, 120 x 120 cm
Olivier Mosset (1944), ‘1878\C,’ 1989

Günter Umberg, Ohne Titel, 1992-93
Günter Umberg, ‘Ohne Titel’, 1992-93

Rudolf de Crignis, ‘Painting #93040’, 1993, oil on canvas, 61 x 61 cm
Rudolf de Crignis, ‘Painting #93040’, 1993

Steven Parrino, N.Y.C.H.C.F.T.W (New York City Hardcore Fuck the World), 1995
Steven Parrino, ‘N.Y.C.H.C.F.T.W (New York City Hardcore Fuck the World)’, 1995

Guido Muench, 1996, exhibition view at Hagenbucher, Heilbronn
Guido Muench, 1995

Nelson Leirner, Constructivisme Rural, 1999
Nelson Leirner, ‘Constructivisme Rural’, 1999

Tanja Ostojic, Black Square on  White, 2001
Tanja Ostojic, ‘Black Square on White’, 2001

Gillian Carnegie, Black Square, 2002
Gillian Carnegie, ‘Black Square’, 2002

Rodney Graham, Black Squares - My Top 100, 2003. Ink on paper, 31 x 31 cm
Rodney Graham, ‘Black Squares - My Top 100′, 2003

Irwin, Corpse of Art, 2003-2004
Irwin, ‘Corpse of Art’, 2003-2004

Nils Kölare, ‘Black Square with yellow, red, blue and green corner squares,’ 2004, acrylic on board, 40 x 40 cm
Nils Kölare, ‘Black Square with yellow, red, blue and green corner squares,’ 2004

Vladislav Mamyshev-Monroe, ‘Black Square (Hommage à Malevitch)’, 2004-05, lambda print, flush-mounted, 125 x 166 cm
Vladislav Mamyshev-Monroe, ‘Black Square (Hommage à Malevitch)’, 2004-05


Blue Noses, ‘Suprematic gonfaloniers’, 2006

Tom Ford, 2007
Tom Ford, 2007


Glen Baxter, ‘Just bring that Malevich down’, 2007

Nicolas Chardon, Carré noir
Nicolas Chardon, ‘Carré noir’

Sony, DJ Max Portable Black Square, 2008
Sony, DJ Max Portable ‘Black Square’, 2008

Paul Lee, Untitled (tambourine painting), 2008, sculpture – tambourine, house paint, 25.4 cm in diameter x 4.45 cm
Paul Lee, ‘Untitled (tambourine painting)’, 2008

Ettore Spalletti (1940), ‘Nero eel carbone,’ 2008, impasto di colore su tavola, foglia argento e cornice rastremata su tre lati, 80 x 80 x 4 cm
Ettore Spalletti, ‘Nero eel carbone,’ 2008

Andrei Molodkin, After Malevitch, 2009 [detail]
Andrei Molodkin, ‘After Malevitch’, 2009 [detail], acrylic block filled with Russian crude oil

Christopher Steinweber, I square Malevich, 2009
Christopher Steinweber, ‘I square Malevich’, 2009

Mounir Fatmi, Carré noir sur fond blanc, 2010
Mounir Fatmi, ‘Carré noir sur fond blanc’, 2010

Pepperstein Pavel, Black Square with Curls, 2010
Pepperstein Pavel, ‘Black Square with Curls’, 2010

Emanuel Seitz , ‘Untitled’, 2011, acrylic on canvas, 250 x 190 cm
Emanuel Seitz , ‘Untitled’, 2011, acrylic on canvas, 250 x 190 cm








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Marcel Duchamp, ‘In Advance of a Broken Arm’, 1915

Jim Dine, A Black Shovel, Number 2, 1962
Jim Dine, ‘A Black Shovel, Number 2’, 1962


Joseph Beuys, ‘Pala (Spade)’, 1983


Hans Haacke, ‘Broken R. M…’, 1986


Gavin Turk, ‘Desert Island Scenario’, 2003

Bethan Huws, Please Do Not Use, 2003
Bethan Huws, ‘Please Do Not Use’, 2003








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Kazimir Malevich, ‘Untitled (Suprematist Painting)’, 1915

Alexander Kosolapov, Russian Revolutionary Porcelain, 1989-1990
Alexander Kosolapov, Russian Revolutionary Porcelain, 1989-1990 [Detail]

Gutov Dmitry, Παραλλάξ (Parallax), 2009
Gutov Dmitry, ‘Παραλλάξ (Parallax)’, 2009 [Detail]








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Kasimir Malevich, ‘Suprematist Painting, Eight Red Rectangles’, 1915

Donald Baechler, ‘Abstract painting with policeman’, 1986, oil, cardboard and canvas collage on canvas, 190.50 x 190.50 cm
Donald Baechler, ‘Abstract painting with policeman’, 1986








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Kasimir Malevich, ‘Black Square and Red Square’, 1915


El Lissitzky, ‘Suprematcheski skaz; pro dva kvadrata v F-ti postroikakh [the suprematist tale of 2 squares in 6 constructions]’, 1922 (Children’s book)

Julie Joliat, Agenda 2011, 3 janvier (Black Square and Red Square, Kasimir Malevich, 1915)
Julie Joliat, Agenda 2011, 3 janvier (Black Square and Red Square, Kasimir Malevich, 1915)

William Keckler, ‘After Malevich ‘Red Square and Black Square'(1915)’, 2003
William Keckler, ‘After Malevich ‘Red Square and Black Square’(1915)’, 2003








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Filippo Tommaso Marinetti, ‘Bombardamento’, 1915

Leonid Sokov, Marinettis Tumb Tumb, 2005, forged iron, 111 x 32 x 5 cm
Leonid Sokov, ‘Marinetti’s Tumb Tumb’, 2005








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