1968

Cildo Meireles, ‘Virtual Volumes, Corners VIII A’, 1967-1968

Roman Ondàk, ‘Untitled (Corner)’, 1997, section of parquet flooring, wooden panels, paint, electric socket, 110 x 112 x 52 cm
Roman Ondàk, ‘Untitled (Corner)’, 1997








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Eva Hesse, ‘Accession II’, 1968

Marissa Lee Benedict, Re-action-Reaction, Accession (after Eva Hesse), 2011. Exothermic reaction of bio-plastic (potato starch and plastic), glass vials, plywood, and wheels, 30x 30x30 in
Marissa Lee Benedict, ‘Re-action-Reaction, Accession (after Eva Hesse)’, 2011








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Eddie Adam, ‘Nguyễn Ngọc Loan executing Nguyễn Văn Lém’, 1968


Olivier Blanckart, ‘The Remix Saïgon (after Eddie Adams)’, 1997

Yue Minjun, Cherries, 2003
Yue Minjun, ‘Cherries’, 2003


Mark Daughhetee, ‘Hosed’, 2004


Amnesty International, 2005


Franck Réthoré, 2007


Henry VIII’s Wives,‘ Iconic Moments of the 20th Century’, 2007


Krista Wortendyke, ‘Iconic Recall’, 2007


Mike Stimpson, ‘photograph’, 2007


Dolk Lundgren, ‘Weed Killer’, 2008








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Joseph Kosuth, ‘Art as Idea: Nothing’, 1968

jack-pierson-nothing-yellow-blue-red-1992.jpeg
Jack Pierson, ‘Nothing, yellow, blue, red’, 1992


Sarah Morris, ‘Nothing’, 1995

stefan-bruggemann-nothing-2001.jpg
Stefan Brüggemann, ‘Nothing’, 2001

thomas-locher-no-not-nothing-2001.jpg
Thomas Locher, ‘No- Not- Nothing’, 2001


Neil Robert Wenman, ‘Nothing’, 2003


Mel Bochner, 2004








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Bruce Nauman, ‘Raw War’, 1968


Shannon Ebner, ‘Raw War’, 2004

Michael Craig-Martin, Untitled (WAR), 2007, acrylic on aluminium, 200 x 250 cm
Michael Craig-Martin, ‘Untitled (WAR)’, 2007

Hugh Brown, Bruce Nauman (Was/Saw, 1970), 2008. Neon, glass tubing, wood, chainsaw parts, transformer, wire, 67x57x15inches
Hugh Brown, ‘Bruce Nauman (Was/Saw, 1970)’, 2008








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Horace Clifford Westermann, ‘See America First’, 1968

Mark Flood, See America Fist, 2009
Mark Flood, ‘See America Fist’, 2009








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John Baldessari, ‘Everything is purged…’, 1968


Manuel Ocampo, ‘Artist Examining life Closely (Baldessari quoite with toilet, feet and instestines)’, 1998








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