1960

Alberto Giacometti, ‘Grande femme debout I’ [Large Standing Woman I], 1960

Daan van Golden (b 1936), ‘Study Giacometti,’ 2007, oil on canvas, 220 x 110 cm
Daan van Golden, ‘Study Giacometti,’ 2007

Peter Coffin (b 1972), ‘Sculpture Silhouette Prop (A. Giacometti ‘Diego’ 1960),’ 2007, mixed media
Peter Coffin, ‘Sculpture Silhouette Prop (A. Giacometti ‘Diego’ 1960),’ 2007








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Jasper Johns, ‘Painted Bronze’, 1960


Ivan Moudov, ‘Already made 1 (cans)’, 2007








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Yves Klein, ‘Anthropometrie,’ 1960

Ana Mendieta, Body Tracks (Rastros Corporales), 1982, blood and tempera on paper
Ana Mendieta, ‘Body Tracks (Rastros Corporales)’, 1982

François Morrelet, Figure hâtive #1, 1986, acrylic on paper, 46x61cm
François Morrelet, ‘Figure hâtive #1’, 1986

Tracey Emin, ‘Exorcism of the Last Painting I Ever Made,’ 1996 [detail], installation including 14 paintings, 78 drawings, 5 body prints, various painted and personal items, furniture, CDs, newspapers, magazines, kitchen and food supplies
Tracey Emin, ‘Exorcism of the Last Painting I Ever Made,’ 1996 [detail]


Item Idem & Lee Cooper, ‘IKBJ (International Klein Blue Jean)’, 2008

Bernard Frize, Saser, 2011, acrylic and resin on canvas, 165x165 cm
Bernard Frize, ‘Saser’, 2011

Celine, ‘Yves Klein Dress in White,’ summer 2017 collection, printed technical light voile, polyamide
Celine, ‘Yves Klein Dress in White,’ summer 2017 collection








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Arman, ‘Le plein’, 1960, galerie Iris Clert Gallery, Paris


Rokeby Gallery

Thomas Hirschhorn, Too Too-Much Much, 2010
Thomas Hirschhorn, ‘Too Too-Much Much’, 2010








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Stanley Brouwn, ‘This Way Brouwn’, 1960

LG Williams, Road Less Traveled 3, 2004, 60 x 40, vinyl and engineer grade reflective sheeting on heavy-duty aluminum (LG Williams and The Estate of LG Williams)
LG Williams, ‘Road Less Traveled 3′, 2004








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Yves Klein, ‘Anthropometry performance’, 1960

Nam June Paik, ‘Zen for Head’, 1962
Nam June Paik, ‘Zen for Head’, 1962

Paul McCarthy, Face, Head, Shoulder Painting - Wall Black Line, 1972, wall, black paint
Paul McCarthy, ‘Face, Head, Shoulder Painting - Wall Black Line’, 1972

Ana Mendieta, Body Tracks (Rastros Corporales), 1982, photograph taken during a performance at Franklin Furnace, New York City
Ana Mendieta, ‘Body Tracks (Rastros Corporales)’, 1982

janine-antoni-loving-care-performance-us-london-1992-1994.jpg
Janine Antoni, ‘Loving Care’, performance, US-London, 1992-1994


Jean-Paul Gaultier

Lilibeth Cuenca Rasmussen, A Void, One out of 11 re-enactments: Anthropometries of the Blue Period. Galerie Internationale Dárte Contemporaine, Paris, 1960, Yves Klein, 2007
Lilibeth Cuenca Rasmussen, ‘A Void, One out of 11 re-enactments: Anthropometries of the Blue Period. Galerie Internationale Dárte Contemporaine, Paris, 1960, Yves Klein’, 2007

Christian Falsnaes, Existing things, 2010 [detail]
Christian Falsnaes, ‘Existing things’, 2010 [detail]

Phil Poynter, ‘Monotone Symphony’, March 2011, Ponystep Magazine, Fashion Editor/Stylist: Keegan Singh
Phil Poynter, ‘Monotone Symphony’, 2011

Elsa Wallenberg, ‘after Yves Klein dress’, 2011
Elsa Wallenberg, ‘after Yves Klein dress’, 2011

Vaneeesa Blaylock, ‘Living Brush'
Vaneeesa Blaylock, ‘Living Brush’, 2012








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Ben Vautier, ‘Faire un trou dans un mur’, 1960

William Anastasi, Wall Removal, 1966
William Anastasi, ‘Wall Removal’, 1966

Lawrence Weiner, A 36 x 36 Removal to the Lathing or Support Wall of Plaster or Wallboard From a Wall, 1968
Lawrence Weiner,’A 36″ x 36″ Removal to the Lathing or Support Wall of Plaster or Wallboard From a Wal’, 1968

Michael Asher, galerie Teselli, Milan, 1973
Michael Asher, galerie Teselli, Milan, 1973


Michel de Broin, ‘Out of the white’, 1996

Urs Fischer, Whitney Museum, 2006
Urs Fischer, Whitney Museum, 2006


Kilian Rüthemann, ‘Sans titre’, 2008

Pablo Rasgado, Unfolded Architecture (Museum Walls), 2011
Pablo Rasgado, ‘Unfolded Architecture (Museum Walls)’, 2011

Florian Cochet, ‘Gommage(s),’ 2014
Florian Cochet, ‘Gommage(s),’ 2014

Marianne Mispelaëre, ‘Palimpseste,’ 2017, surface gommée et résidus de gomme bleue, dimensions variables
Marianne Mispelaëre, ‘Palimpseste,’ 2017








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