Andy Warhol, ‘Silver Clouds’, 1966

General Idea, ‘Magi© Bullet’, 1992, installation of custom-shaped Mylar balloons, dimensions variable
General Idea, ‘Magi© Bullet’, 1992

Philippe Parreno, ‘Speech Bubbles’, 1997, cloth balloons, nylon, mylar, variable dimensions
Philippe Parreno, ‘Speech Bubbles’, 1997








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Andy Warhol, ‘Brillo Box,’ 1964


Paul Thek, ‘Meat Piece With Warhol Brillo Box’, 1965

Margaret Harrison, ‘Little Woman at Home’, 1971, graphite and watercolour on paper, 636 x 518 mm
Margaret Harrison, ‘Little Woman at Home’, 1971

Gavin Turk, ‘Brillo 2,’ 2001, painted bronze., 55.2 x 39.4 x 26.7 cm
Gavin Turk, ‘Brillo 2,’ 2001

Tom Sachs, ‘Brillo Box,’ 2003, ballpoint pen and ink on foamcore with hot glue, 43.2 x 43.8 x 35.6 cm
Tom Sachs, ‘Brillo Box,’ 2003


Scott Stulen, ‘Conceptual traps for fictional animals’, 2007

Patrick Hughes, ‘Brillo,’ 2008, 3D hand painted multiple with lithography, 42,5 x 34,5 x 17 cm
Patrick Hughes, ‘Brillo,’ 2008

Charles Lutz, What Makes an Icon?, 2010. 38th Street & 8th Avenue, New York. 16x21 feet, UV inks on vinyl
Charles Lutz, ‘What Makes an Icon?’, 2010








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Andy Warhol, ‘Triple Elvis’, 1963


Jeff Koons, ‘Triple Elvis’, 2007

Gosha Ostretsov, ‘Elvises,’ 2011, acrylic and enamel on canvas, 160 x 150 cm
Gosha Ostretsov, ‘Elvises,’ 2011, acrylic and enamel on canvas, 160 x 150 cm

Alex Guofeng Cao, ‘Elvis vs. Warhol’, 2012, digital chromogenic print with Dibond Plexiglas, 152.4 x 101.6 cm
Alex Guofeng Cao, ‘Elvis vs. Warhol’, 2012








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Roy Lichtenstein, ‘Art’, 1961

Stephen Kaltenbach (b 1940), ‘Teach Art’, Maquette, Artforum ad, September 1969
Stephen Kaltenbach, ‘Teach Art’, 1969

Ewa Partum, ‘Poem by Ewa’, 1971
Ewa Partum, ‘Poem by Ewa’, 1971


Ben Vautier, ‘Art’, 1971


Robert Indiana, ‘Art’, 1972

John Tweddle, Pretty Picture, 1972
John Tweddle, ‘Pretty Picture’, 1972


Stephen Shore, ‘Amarillo, Texas’, 1972


Jean-François Bory, 1974

Regina Vater, POhEMA (da série Art), 1978
Regina Vater, ‘POhEMA (da série Art)’, 1978

Andy Warhol, Art (Positive and Negative), 1986
Andy Warhol,’ Art (Positive and Negative)’, 1986


Ed Ruscha, ‘Untitled (ART)’, 1987

Raymond Saunders, Colored, 1988
Raymond Saunders, ‘Colored’, 1988

Maurizio Nannucci, Art, 1989
Maurizio Nannucci, ‘Art’, 1989

Albert Mertz, ‘Kunst’, 1989
Albert Mertz, ‘Kunst’, 1989

Nancy Dwyer, ‘ART Table 2’, 1993, table in Plexiglas, aluminum and wood,, 50.8 x 41.9 x 38.1 cm
Nancy Dwyer, ‘ART Table 2’, 1993

Jessica Diamond, Me Constellation, 1992-93
Jessica Diamond, ‘Infinity Net’, 1992-94

Elaine Reichek, Collections For Collectors, 2007
Elaine Reichek, ‘Collections For Collectors’, 2007

Merlin Carpenter, Kunst, 2009
Merlin Carpenter, 2009

Bob & Roberta Smith, Art, 2009
Bob & Roberta Smith, ‘Art’, 2009

Michael Craig-Martin, Art (red), 2010
Michael Craig-Martin, ‘Art (red)’, 2010

David Shrigley, Untitled (Art), 2010
David Shrigley, ‘Untitled (Art)’, 2010

Stephane Cipre, Art Sanglé Monumental, 2010, cast aluminium and hemp rope, 120 x 100 x 80 cm
Stephane Cipre, ‘Art Sanglé Monumental’, 2010

Doug Aitken, ‘Fountain (earth fountain)’, 2012, plexiglas, steel, pumping system, colored methyl cellulose, lava stones, 52 7/8 x 78 3/8 x 36 inches
Doug Aitken, ‘Fountain (earth fountain)’, 2012








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Andy Warhol, ‘Campbell Soup Cans,’ 1961

Richard Pettibone, Train Destroys Valuable Art Object; Andy Warhol, Campbells Soup Can (Pepper Pot), 1962, 1964, synthetic polymer, ink and silkscreen inks on canvas in artists frame, 15.8 x 15.8 cm
Richard Pettibone, ‘Train Destroys Valuable Art Object; Andy Warhol, ‘Campbell’s Soup Can (Pepper Pot)’, 1962′, 1964

campbells-soup-dress-that-was-inspired-by-the-work-of-andy-warhol.jpg
Campbell’s advertising soup dress in paper, 1967

William Anastasi, A painting of a soup can used to hang here
William Anastasi, ‘A Painting of a Soup Can’


Studio Gavina, ‘Omaggio Ad Andy Warhol’ stool, 1973

Robert Ballagh (1943), ‘Child with an Andy Warhol,’ 1973, oil on canvas (in 6 panels), 182.88 x 121.92 cm
Robert Ballagh, ‘Child with an Andy Warhol,’ 1973


Francis Baudevin

Guangyi Wang, Great Criticism Series-campbells Soup, 2000
Guangyi Wang, ‘Great Criticism Series-campbell’s Soup’, 2000

Alexander Kosolapov, Caviar Red, 2002, oil on canvas, 195 x 193 cm
Alexander Kosolapov, ‘Caviar Red’, 2002

Louise Lawler, Soup and Mirror, 2001-2005, cibachrome print laminated on aluminum museum box, 50.2 x 40 cm
Louise Lawler, ‘Soup and Mirror’, 2001-2005


Banksy, ‘Soup Can’, 2005


Devorah Sperber, ‘After Warhol’, 2008

Mr. Brainwash, ‘Tomato Spray’, 2009
Mr. Brainwash, ‘Tomato Spray’, 2009

Peter Potamus, Bidi Campbells Soup Cans - Tomato Soup, 2010
Peter Potamus, ‘Bidi Campbell’s Soup Cans - Tomato Soup’, 2010

Pierre Denan, ‘Rien’, 2014
Pierre Denan, ‘Rien’, 2014








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Henri Matisse, ‘Woman in Blue’, 1937

Andy Warhol (1928-1987), ‘Woman in blue, (After Matisse)’, 1985, synthtic polymer and silkscreen inks on canvas, 132 x 106,7 cm
Andy Warhol, ‘Woman in blue, (After Matisse)’, 1985








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William Wadsworth Hodkinson, Paramount Pictures logo, 1917

Giangiacomo Spadari (1938-1997), ‘Paramount,’ 1980, mixed media on canvas
Giangiacomo Spadari, ‘Paramount,’ 1980

Enrico Manera, ‘Paramount,’ 1984, oil on canvas
Enrico Manera, ‘Paramount,’ 1984

Andy Warhol (1928-1987), ‘Paramount, from Ads (F. & S. II.352),’ 1985, screenprint in colors, on Lenox Museum Board, 96,5 x 96,5 cm
Andy Warhol, ‘Paramount, from Ads (F. & S. II.352),’ 1985

Jean-Luc Verna, ‘Paramour,’ 2011, transfert sur bois vernissé, guirlandes lumineuses, 80 ampoules de couleur, ø 265 cm
Jean-Luc Verna, ‘Paramour,’ 2011








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