Robert Rauschenberg, ‘Factum I & Factum II’, 1957


Alex Katz, ‘Ada Ada’, 1959

Mario Schifano, Aut aut, 1960
Mario Schifano, ‘Aut aut’, 1960

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Andy Warhol, ‘Double Elvis’, 1963

Antony Donaldson, Mulsanne Straight, 1964
Antony Donaldson, ‘Mulsanne Straight’, 1964

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Brice Marden, ‘Untitled’, 1965

William Anastasi, Subway Drawing (V. Dwan), 1968, pencil on paper, 19 x 28,5 cm
William Anastasi, ‘Subway Drawing (V. Dwan)’, 1968

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Jo Baer, ‘Untitled (vertical flanking diptych - red)’, 1966-74

Jasper Johns, Flags I, 1973
Jasper Johns, ‘Flags I’, 1973

Guy de cointet, Two Drawing, 1974
Guy de Cointet, Two Drawings, 1974

Thomas Schutte, Paar [Pair], 1979
Thomas Schutte, ‘Paar’ [Pair], 1979

Thomas Schutte, Paare, 1980, lined up in the studio
Thomas Schutte, ‘Paare’, 1980, lined up in the studio

Jean Michel Basquiat (1960-1988), ‘Untitled (Jet Mixer Ejector),’ 1985, two elements--acrylic on colored Xerox, 27.9 x 21.6 cm
Jean Michel Basquiat, ‘Untitled (Jet Mixer Ejector),’ 1985

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Roy Lichtenstein, ‘Imperfect Diptych’, 1988

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Peter Friedl, ‘5 bis 6 Amazonaskrokodile’, 1990

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Bernard Piffaretti, ‘Sans titre’, 1991

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Joan Mitchell, ‘Sunflowers II’, 1992

Dan Walsh, Reflector, 1995, acrylic on canvas, 178 x 177.8 cm
Dan Walsh, ‘Reflector’, 1995, acrylic on canvas, 178 x 177.8 cm

Nina Childress, Blurriness (Kodak tree) Blurriness (Agfa tree), 2000
Nina Childress, ‘Blurriness (Kodak tree) Blurriness (Agfa tree)’, 2000

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Adrienne Ranson, ‘Becoming’, 2004

Lisa Tan, Two in the Labyrinth, 2006
Lisa Tan, ‘Two in the Labyrinth’, 2006

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Marijn van Kreij, ‘Untitled (Styles, Crews, Flows, Beats)’, 2007

Ryan Gander, Investigation #13, Look, 2008
Ryan Gander, ‘Investigation #13, Look’, 2008

Dan Rees, Payne
Dan Rees, ‘Payne’s Grey and Vermillion’, 2010

Brent Wadden, ‘Large Double Double,’ 2014, hand woven fibres, wool, cotton and acrylic on canvas, in artist’s frame, 182 by 212.5 cm
Brent Wadden, ‘Large Double Double,’ 2014








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Pablo Picasso, ‘Las Meninas’, 1957


Richard Hamilton, ‘Picasso’s Meninas’, 1973








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Richard Hamilton, ‘Just what is it that makes today’s homes so different, so appealing?’, 1956

Thomas Ruff, Plakat VIII, 1998, chromogenic print., 258.1 x 184.5 cm
Thomas Ruff, ‘Plakat VIII’, 1998

Jans Muskee (b1961), ‘Just what is it that makes today’s homes so different, so appealing?,’ 2015, 200 x 300 cm, oilpastel on paper
Jans Muskee, ‘Just what is it that makes today’s homes so different, so appealing?,’ 2015








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Jasper Johns, ‘Canvas,’ 1956

Edward Kienholz, ‘Art For Art's Sake’, 1959
Edward Kienholz, ‘Art For Art’s Sake’, 1959

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Giulio Paolini, ‘Senza Titolo’, 1961

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Ben Vautier, ‘Toile Retournée’, 1962

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Claude Rutault, ‘Pile 1′, 1984

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Marek Kvetan, ‘Blind system’, 2007


Swantje Hielscher, ‘Antinomie’, 2009

John Cornu, ‘Macula,’ 2009, bois, acrylique
John Cornu, ‘Macula,’ 2009

Adam McEwen, Medium Stretcher, 2011, graphite, 101.6 x 76.2 x 2.54 cm
Adam McEwen, ‘Medium Stretcher’, 2011








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Francis Bacon, ‘Study For Portrait II’, 1956


Olav Westphalen, ‘Pope - 9,404.18 $ Per Square Inch (After Francis Bacon, “Study For Portrait II”, 1956)’, 2007








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Yves Klein, ‘Monochrome rouge sans titre (M 38)’, 1955

Bernard Aubertin (b 1934), ‘Tableau Monochrome’, 1959, oil on canvas, 30 x 60 cm
Bernard Aubertin, ‘Tableau Monochrome’, 1959








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Pablo Picasso, ‘Les femmes d’Alger’, 1955


Roy Lichtenstein, ‘Femme d’Alger’, 1963








no comment