Pablo Picasso, ‘Guernica’, 1937

Tony Shafrazi, Kill Lies All After Pablo Picasso, 1974. Tony Shafrazi spray-painted the words KILL LIES ALL onto Pablo Picassos Guernica, then installed at the Museum of Modern Art in New York, as a protest against U.S. actions in My Lai
Tony Shafrazi, ‘Kill Lies All After Pablo Picasso’, 1974.


Peter Saul, ‘Guernica de Picasso’ (study), 1976

Art & Language, Picassos Guernica in the Style of Jackson Pollock, 1980, 630x782cm
Art & Language, ‘Picasso’s Guernica in the Style of Jackson Pollock’, 1980


Michael Hurson, ‘Guernica ‘C’ (Study For A Print)’, 1992


Gary Hume, ‘My Guernica’, 1992

Felix Gmelin, Kill Lies All After Pablo Picasso (1937) & Tony Shafrazi (1974), 1996. Oil on canvas, 195 x 295 cm
Felix Gmelin, ‘Kill Lies All After Pablo Picasso (1937) & Tony Shafrazi (1974)’, 1996

Ibon Aranberri, 2002
Ibon Aranberri, 2002 (Manifesta4, Frankfurt)


Jorge Reinoza, ‘Guernica after Picasso’, 2004


Ron English, ‘Cowgirl Guernica’, 2006

Laboratorio Saccardi, ‘Guernica invacion’, 2006 , oil on canvas, 150 x 200 cm
Laboratorio Saccardi, ‘Guernica invacion’, 2006

Pablo Picachu, Guernica, 2007
Pablo Picachu, ‘Guernica’, 2007

Goshka Macuga, The Nature of the Beast, 2009
Goshka Macuga, ‘The Nature of the Beast’, 2009

Guillaume Pellay, Tuerie, 2010, wall painting (Brest), spray paint, 350 x 767 cm
Guillaume Pellay, ‘Tuerie’, 2010

Mathieu Tremblin, Kill Lies All 2.0 (After Pablo Picasso (1937) Tony Shafrazi (1974)Felix Gmelin (1996) Guillaume Pellay (2010), 2012, spray paint, 600 x 100 cm
Mathieu Tremblin, ‘Kill Lies All 2.0 (After Pablo Picasso (1937) Tony Shafrazi (1974)Felix Gmelin (1996) Guillaume Pellay (2010)’, 2012

Toby Ziegler @ Simon Lee, invitation, 2012
Toby Ziegler @ Simon Lee, invitation, 2012








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Pablo Picasso, ‘Grand nu au fauteuil rouge’, 1929

Mike Bidlo (1953), ‘Not Picasso (Large Nude in a Red Armchair 1929),’ 1987, oil on canvas, 184.5 x 128.9 cm
Mike Bidlo, ‘Not Picasso (Large Nude in a Red Armchair 1929),’ 1987

Avdei Ter-Oganian, Picasso. Woman in an armchair, 1997
Avdei Ter-Oganian, ‘Picasso. Woman in an armchair’, 1997


Sean Landers, ‘Manu’, 2001


O’Scan, ‘Grand nu au fauteuil rouge’








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Pablo Picasso, ‘Les Demoiselles d’Avignon’, 1907

Enrico Baj (1924 - 2003), ‘Les Demoiselles D'avignon’, 1969, acrylic, collage, padding, trimmings, object, plastic on fabric, 244.00 x 233.00 cm
Enrico Baj, ‘Les Demoiselles D’avignon’, 1969

Patrick Caulfield Patrick (1936-2005), ‘Les Demoiselles d'Avignon vues de Derrière’, 1999, screenprint in colours, on wove paper, 105,5 x 91,5 cm
Patrick Caulfield, ‘Les Demoiselles d’Avignon vues de Derrière’, 1999


Bruce High Quality, ‘The Bachelors of Avignon’, 2007


Spectacular Society Corporation, ‘Les demoiselles d’avignon viewed simultaneously from every point of view’, 2007

Gundmundur Erro (1932), ‘Les Demoiselles d'Avignon’, 2008, Alkyd paint on canvas, 130 x 140 cm
Erro, ‘Les Demoiselles d’Avignon’, 2008








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Pablo Picasso, ‘Le Vieux guitariste aveugle,’1903.

David Hockney (1937), ‘The Old Guitarist, from The Blue Guitar,’ 1976-77, etching with aquatint in colors, 42,9 x 34,6 cm
David Hockney, ‘The Old Guitarist, from The Blue Guitar,’ 1976-77








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Jean Auguste Dominique Ingres, ‘Raphael and Fornarina’, c. 1814


Pablo Picasso, ‘Raphaël et la Fornarina. XII: Dans son fauteuil, le Pape se sent cocu’ from “La Serié 347″, 1968


Joel Peter-Witkin, ‘Raphael and la Fornarina’, 2003








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Jean Auguste Dominique Ingres, ‘Grande Odalisque’, 1814

Pablo Picasso, ‘La Grande Odalisque d'après Ingres’, 1907
Pablo Picasso, ‘La Grande Odalisque d’après Ingres’, 1907

Robert Rauschenberg, Odalisk, 1955-1958, Freestanding combine, huile, aquarelle, crayon, pastel, papier, tissu, photographies, reproductions imprimées, journal, métal, verre, oreiller, poteau en bois et lampes sur structure en bois avec coq empaillé, 210,8x64,1x63,8 cm
Robert Rauschenberg, ‘Odalisk’, 1955-1958


Martial Raysse, ‘Made in Japan, La Grande odalisque’, 1964

Tano Festa (1938-1988), ‘Odalisca,’ 1967, mixed media and enamel on 4 panels, 199 x 296 cm
Tano Festa, ‘Odalisca,’ 1967

Ruytchi Souzouki, ‘Anatomie et la beaute’, 1967
Ruytchi Souzouki, ‘Anatomie et la beaute’, 1967


Orlan, ‘La Grande Odalisque’, 1968


Mel Ramos, ‘Plenti Grand Odalisque’, 1973

Erró (b 1932), ‘After Ingres’, 1975, oil on canvas, 55.9 x 99 cm
Erró, ‘After Ingres’, 1975

Guerilla Girls, Odalisc, 1989
Guerilla Girls, 1989

Stéphane Lallemand (1958), ‘Télécran de La Grande Odalisque’, 1989, Télécran, 19.5 x 24 cm
Stéphane Lallemand, ‘Télécran de La Grande Odalisque’, 1989

Julie Ann (1971), ‘Odalisque after Ingres’, 1996, c-print, 76 x 101.5 cm
Julie Ann, ‘Odalisque after Ingres’, 1996


James Rizzi, ‘La Grande Odalisque’, 2000

Michael Thompson, Julianne Moore as Ingress Grand Odalisque, 2000
Michael Thompson, ‘Julianne Moore as Ingres’s ‘Grand Odalisque’’, 2000


Isabel Samaras, ‘Wish’, 2003


Laurie Simon, ‘The Long House (Red Bathroom)’, 2004


Koya Abe, ‘After La Grande Odalisque’, 2005


Oliviero Toscani, 2007

Stéphane Lallemand, ‘La Grande Odalisque’, 2007
Stéphane Lallemand, ‘La Grande Odalisque’, 2007

Lalla Essayd, ‘Grande Odalisque’, 2008
Lalla Essayd, ‘Grande Odalisque’, 2008

Koya Abe (1964), ‘After the Grande Odalisque, Digital Art, Chapter 5, Analogies’, 2008, c-print, 57,15 x 101,6 cm
Koya Abe, ‘After the Grande Odalisque, Digital Art, Chapter 5, Analogies’, 2008


Karen Audette and Diane Gilson, ‘Ingre’s Odalisque’


TeAnne, ‘Abstract Nude’

Anton Henning, from the Pin-ups series
Anton Henning, from the ‘Pin-ups’ series

Rodney Smith, Grand Odalisque, 2010
Rodney Smith, 2010

Richmond Nicholas, ‘Grande Odalisque’, 2011
Richmond Nicholas, ‘Grande Odalisque’, 2011

Craig White, ‘Grande Odalisque’, 2011
Craig White, ‘Grande Odalisque’, 2011

Jean-Luc Moerman, ‘Epiphytes’, 2012, marker on paper, 130 x 73 cm
Jean-Luc Moerman, ‘Epiphytes’, 2012

Andrei Sharov, ‘Pink Nude’, 2014, oil on canvas, 89 x 129.5 cm
Andrei Sharov, ‘Pink Nude’, 2014








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Francisco Goya, ‘The Third of May,’ 1808

edouart-manet-execution-of-emperor-maximilian.jpg
Edouard Manet, ‘Execution of Emperor Maximilian,’ 1867


Pablo Picasso, ‘Massacre in Korea,’ 1951

Robert Ballagh (1943), ‘The Third Of May After Goya,’ 1970, acrylic on canvas, 100 x 135 cm
Robert Ballagh, ‘The Third Of May After Goya,’ 1970


Yasumasa Morimura, ‘Brothers (Slaughter I)’, 1991

yue-minjun-execution-1989.jpg
Yue Minjun, ‘Execution’, 1995


Ju Duoqi, ‘The Vegetable Museum - 04,’ 2008

Nicholas de Lacy-Brown, ‘Norms on 3rd May 1808 (after Goya),’ 2012, watercolour
Nicholas de Lacy-Brown, ‘Norms on 3rd May 1808 (after Goya),’ 2012








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