Gustave Courbet, ‘Le sommeil,’ 1866

Robert Rauschenberg (1925-2008), ‘All Abordello Doze 4 (Japanese Recreational Clayworks),’ 1983, photographic transfer on high fired ceramic, in three parts, 134.9 x 188.5 cm
Robert Rauschenberg, ‘All Abordello Doze 4 (Japanese Recreational Clayworks),’ 1983

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David Hamilton, ‘Premiers désir’s, 1984

Kendall Geers, ‘After laziness and sensuality’, 1992, photographic collage with enamel paint and found object (axe), 53.00 x 80.00 cm
Kendall Geers, ‘After laziness and sensuality’, 1992

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Mario Sorrenti, Yves Saint Laurent Rive Gauche, 1998


Wang Qingsong, ‘China Mansion’, 2003


Mary Ellen Strom, ‘Nude No. 5’, Eleanor Dubinsky and Melanie Maar, 2004


Isabel Samaras, ‘The Friends’








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Diego Velázquez, ‘La Vénus au miroir’, 1649-1651

Alain Jacquet (1939-2008)	, ‘Vénus au miroir,’ 1969, silkscreen, 32 × 45.5 cm
Alain Jacquet, ‘Vénus au miroir,’ 1969

Ugo Mulas, ‘Self-portrait reflected on the work of art made by Michelangelo Pistoletto, “Vitalita del negativo” in Rome’, 1970
Ugo Mulas, ‘Self-portrait reflected on the work of art made by Michelangelo Pistoletto, “Vitalita del negativo” in Rome’, 1970

Helmut Newton (1920-2004), ‘Bergstrøm over Paris’, c. 1970, chromogenic Polaroid print, 7.3 x 9.5 cm
Helmut Newton, ‘Bergstrøm over Paris’, c. 1970


Mel Ramos, ‘Velasquez Vision’, 1981

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Sam Taylor Wood, ‘Soliloquy II’, 1998


Mario Sorrenti, Yves Saint Laurent Rive Gauche, 1998


Mary Ellen Strom, ‘Nude No. 3’, Dillion Paul, 2004

Thomas Raat, ‘The Rokeby Venus,’ 2006, plastic on paper, 123 x 285 cm
Thomas Raat, ‘The Rokeby Venus,’ 2006

Veronique July (after Diego Velázquez)
Veronique July (after Diego Velázquez)








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