Ceal Floyer, ‘Garbage Bag’, 2001

Gavin Turk, Tip, 2004, bronze
Gavin Turk, ‘Tip’, 2004

bruno-peinado-untitled-trash-test-2005.jpg
Bruno Peinado, ‘untitled (trash test)’, 2005


Claire Fontaine, ‘Untitled (Collectors)’, 2006


Kendell Geers, ‘Refuse’

Collectif Anonyme, Lettre à Elise #01, 2010, installation
Collectif Anonyme, ‘Lettre à Elise #01’, 2010

The Wa, ‘Credits’, 2012. Installation made with rubbish produced during the Dockville festival, Hamburg
The Wa, ‘Credits’, 2012

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Loris Cecchini, ‘Stage Evidence (Untitled)’, 2001


Sylvie Fleury, ‘Garbage Can’, 2003

Mark Handforth, Chain Trashcan, 2006
Mark Handforth, ‘Chain Trashcan’, 2006

Klara Liden, ‘Preisträgerin des Kunstpreises blauorange’, 2010
Klara Liden, ‘Preisträgerin des Kunstpreises blauorange’, 2010

Matthew Smith
Matthew Smith








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Robert Morris, ‘Mirrored Cubes’, 1965

michelangelo-pistoletto-metrocubo-dinfinito-1965-1966.jpg
Michelangelo Pistoletto, ‘Metro cubo d’Infinito’, 1965-1966

Gavin Turk, ‘Robert Morris Untitled 1965-72,’ 1990, distressed mirror plate glass and wood in four parts, each 76 x 76 x 76 cm
Gavin Turk, ‘Robert Morris Untitled 1965-72,’ 1990

Jeppe Hein, ‘Broken Mirror Cubes,’ 2005, broken mirror glass on wooden cube in four parts, each 50 x 50 x 50 cm
Jeppe Hein, ‘Broken Mirror Cubes,’ 2005


Simon Dybbroe Møller, ‘Sir Norman Reid’, 2005

Jeremy Millar, Untitled (Mirror Cubes), 2010
Jeremy Millar, ‘Untitled (Mirror Cubes)’, 2010








2 comments

Andy Warhol, ‘Brillo Box,’ 1964


Paul Thek, ‘Meat Piece With Warhol Brillo Box’, 1965

Margaret Harrison, ‘Little Woman at Home’, 1971, graphite and watercolour on paper, 636 x 518 mm
Margaret Harrison, ‘Little Woman at Home’, 1971

Gavin Turk, ‘Brillo 2,’ 2001, painted bronze., 55.2 x 39.4 x 26.7 cm
Gavin Turk, ‘Brillo 2,’ 2001

Tom Sachs, ‘Brillo Box,’ 2003, ballpoint pen and ink on foamcore with hot glue, 43.2 x 43.8 x 35.6 cm
Tom Sachs, ‘Brillo Box,’ 2003


Scott Stulen, ‘Conceptual traps for fictional animals’, 2007

Patrick Hughes, ‘Brillo,’ 2008, 3D hand painted multiple with lithography, 42,5 x 34,5 x 17 cm
Patrick Hughes, ‘Brillo,’ 2008

Charles Lutz, What Makes an Icon?, 2010. 38th Street & 8th Avenue, New York. 16x21 feet, UV inks on vinyl
Charles Lutz, ‘What Makes an Icon?’, 2010








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Marcel Duchamp, ‘Door: 11 Rue Larrey’, 1927

HC Westermann, ‘Little Egypt’, 1969, Douglas-fir, pine, oak, and bronze, 174 x 82.2 x 79.1 cm
HC Westermann, ‘Little Egypt’, 1969

Robert Overby, Blue Screen Door Map, 1970-1971 , concrete and steel, 203.2 x 114.3 x 12.7 cm
Robert Overby, ‘Blue Screen Door Map’, 1970-1971

George Maciunas, Giant Cutting Blades Door from Flux Combat with New York State Attorney (and Police), c. 1970-75
George Maciunas, ‘Giant Cutting Blades Door from Flux Combat with New York State Attorney (and Police)’, c. 1970-75

Richard Artschwager, Door, 1983-84
Richard Artschwager, ‘Door’, 1983-84

Robert Gober, Untitled Door and Door Frame, 1987-88
Robert Gober, ‘Untitled Door and ‘Door Frame,’ 1987-88

Etienne Bossut, 1001 nuits, 1989
Etienne Bossut, ‘1001 nuits’, 1989

Michelangelo Pistoletto, La Porta dello Specchio (The Door of the Mirror), 1994
Michelangelo Pistoletto, ‘La Porta dello Specchio (The Door of the Mirror)’, 1994

Rachel Whiteread, ‘In Out IV’, 2000, plasticized plaster with aluminium frame
Rachel Whiteread, ‘In Out IV’, 2000

Loris Cecchini, Stage evidence (Double soft door I), 2000, urethane rubber, 200 x 47.5 x 4 cm
Loris Cecchini, ‘Stage evidence (Double soft door I)’, 2000

Marcus Harvey, Large Door, 2001, oil on fiberglass, 117 x 45 in
Marcus Harvey, ‘Large Door’, 2001

Stano Masar, Doors, 2002
Stano Masar, ‘Doors’, 2002

Urs Fischer, Not My House, Not My Fire, 2004, polyester resin, polyurethane resin, polystyrene, epoxy glue, acrylic paint, acrylic primer, steel hinges, screws, and wood glue, 323 x 186 x 56 cm
Urs Fischer, ‘Not My House, Not My Fire’, 2004

Jim Lambie, Green Door, 2004
Jim Lambie, ‘Green Door’, 2004

André Guedes, Untitled (Garden, Phnom Penh, Cambodia), 2005. Door. This & There exhibition (2012). FR66, Paris
André Guedes, ‘Untitled (Garden, Phnom Penh, Cambodia)’, 2005

Ivan Navarro, Red Holeway, 2005, red incandescent light bulbs, aluminum door with mirrors and glass, transformer, power adapter., 218.4 x 101.6 x 20.3 cm
Ivan Navarro, ‘Red Holeway’, 2005

Gedi Sibony, So Long Ago, 1996-2006, wooden door, 224 × 54.5 cm
Gedi Sibony, ‘So Long Ago’, 1996-2006

Qiu Xiaofei, Untitled (green door / window) and Untitled (yellow door), 2005-2007, installations, fibreglass, acrylic, 198 x 98 cm
Qiu Xiaofei, ‘Untitled (green door / window) and Untitled (yellow door)’, 2005-2007

Ai Weiwei, Marble Door, 2007, marble, 209.5 x 79.3 x 6.3 cm
Ai Weiwei, ‘Marble Door’, 2007

Subodh Gupta, Door, 2007, brass, 205.7 x 86 x 12.7 cm
Subodh Gupta, ‘Door’, 2007

Ugo Rondinone, Fullblown Firmamental Fulfillment, 2008, wood, fittings, varnish, 114 x 79 x 7 in
Ugo Rondinone, ‘Fullblown Firmamental Fulfillment’, 2008

Hans Schabus, Upside Down (On Knees and Nose, 2008, door
Hans Schabus, ‘Upside Down (On Knees and Nose)’, 2008

Joris Van de Moortel, Door, 2010, Holz, Tür, Aluminium, Isoliermaterial, 302 x 192 x 20 cm
Joris Van de Moortel, ‘Door’, 2010

Sergei Tcherepnin, Pipers Revenge, 2012, wood door, transducer, variable dimensions
Sergei Tcherepnin, ‘Pipers Revenge’, 2012

Gavin Turk, LAge DOr, 2012, painted wood, 362 x 149 x 55 cm
Gavin Turk, ‘L’Age D’Or’, 2012

Didier Faustino, ‘Paranoid Android’, 2012, silicone rubber and painted steel structure, 380 x 170 x 250 cm. Domaine départemental de Chamarande, France
Didier Faustino, ‘Paranoid Android’, 2012

Tom Burr, ‘drunk emily’, 2014, at Franco Noero, Torino
Tom Burr, ‘drunk emily’, 2014








3 comments

Jacques-Louis David, ‘La Mort de Marat’, 1793

Jerome-Martin Langlois, Jean-Paul Marat assassiné dans sa baignoire, 13 juillet 1793, c.  1800
Jerome-Martin Langlois, ‘Jean-Paul Marat assassiné dans sa baignoire, 13 juillet 1793’, c. 1800

David McDermott (1952) & Peter McGough (1958), Death of Marat, 1907, 1989, cyanotype print, 26,7 x 34,3 cm
David McDermott & Peter McGough, ‘Death of Marat, 1907,’ 1989

Consuelo Castaneda, ‘La muerte de Marat’, 1993, oil on canvas, 157.5 x 203.2 cm
Consuelo Castaneda, ‘La muerte de Marat’, 1993


Gavin Turk, ‘The Death of Marat’, 1998


Yue Minjun, ‘The Death of Marat’, 2004


Elisabeth Ohlson Wallin, ‘Marat’, 2006

Eugenio Recuenco, 2007, for Madame Figaro
Eugenio Recuenco, 2007


Ju Duoqi, ‘The Vegetable Museum - 17’, 2008


Richard Jackson, ‘The Laundry Room (Death of Marat)’, 2009








no comment