Balthus, ‘Les enfants Hubert et Thérèse Blanchard’, 1937


Mark Squires, ‘Les enfants Hubert et Thérèse Blanchard’, 2007








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Sophie Taeuber-Arp, ‘Composition in a Circle’, 1937

Ellsworth Kelly, ‘Nine Colors’, 1951. Ink on paper and gouache on paper, 19 x 20.3 cm
Ellsworth Kelly, ‘Nine Colors’, 1951

François Morellet, Bleu-Vert-Jaune-Orange, 1954
François Morellet, ‘Bleu-Vert-Jaune-Orange’, 1954

Vera Molnar, Lent mouvement bleu, orange, rouge et noir, 1955, gouache sur carton, 30x37cm
Vera Molnar, ‘Lent mouvement bleu, orange, rouge et noir’, 1955

Robert Indiana, Composition with Twenty Orbs, 1959, oil on plywood, 91x44,5 inches
Robert Indiana, ‘Composition with Twenty Orbs’, 1959

Andy Warhol, Untitled (Circles), c. 1960, ink and watercolor on paper, 56 x 42.5 cm
Andy Warhol, ‘Untitled (Circles)’, c. 1960

Josef Albers, Provocative Percussion (Volume 3), 1961
Josef Albers, ‘Provocative Percussion (Volume 3)’, 1961

Thomas Downing, Red Twelve, 1965, acrylic on canvas, 142.9 x 294 cm
Thomas Downing, ‘Red Twelve’, 1965

Poul Gernes, Untitled (Dot painting), 1968 Enamel paint on masonite 96.1 x 96.1 inches
Poul Gernes, ‘Untitled (Dot painting)’, 1968

John Armleder, Untitled, 1983, 80x80cm
John Armleder, ‘Untitled’, 1983

John Baldessari, Drummer (With Choices), 1990, b&w photo with vinyl paint, 122x226cm
John Baldessari, ‘Drummer (With Choices)’, 1990

Damien Hirst, Alkaline Phosphatase-Polyethylene Glycol, 1992
Damien Hirst, ‘Alkaline Phosphatase-Polyethylene Glycol’, 1992


John Armleder, ‘untitled’, 1998


Mr., ‘Paris-jan yokohama-ben’, 2004


Beejoir, ‘Immodium 3’, 2007


Banksy, ‘Keep It Spotless’, 2007

Robert Barry, One Billion Colored Dots, 2008
Robert Barry, ‘One Billion Colored Dots’, 2008


Agnes Thurnauer, ‘Prédelle (Buy buy)’, 2008


Claude Closky, ‘Dot Drip’, 2011

Sarah Morris, ‘April 2014 [Rio]’, 2014, household gloss on canvas, 214 x 214 cm
Sarah Morris, ‘April 2014 [Rio]’, 2014








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Pablo Picasso, ‘Guernica’, 1937

Tony Shafrazi, Kill Lies All After Pablo Picasso, 1974. Tony Shafrazi spray-painted the words KILL LIES ALL onto Pablo Picassos Guernica, then installed at the Museum of Modern Art in New York, as a protest against U.S. actions in My Lai
Tony Shafrazi, ‘Kill Lies All After Pablo Picasso’, 1974.


Peter Saul, ‘Guernica de Picasso’ (study), 1976

Art & Language, Picassos Guernica in the Style of Jackson Pollock, 1980, 630x782cm
Art & Language, ‘Picasso’s Guernica in the Style of Jackson Pollock’, 1980


Michael Hurson, ‘Guernica ‘C’ (Study For A Print)’, 1992


Gary Hume, ‘My Guernica’, 1992

Felix Gmelin, Kill Lies All After Pablo Picasso (1937) & Tony Shafrazi (1974), 1996. Oil on canvas, 195 x 295 cm
Felix Gmelin, ‘Kill Lies All After Pablo Picasso (1937) & Tony Shafrazi (1974)’, 1996

Ibon Aranberri, 2002
Ibon Aranberri, 2002 (Manifesta4, Frankfurt)


Jorge Reinoza, ‘Guernica after Picasso’, 2004


Ron English, ‘Cowgirl Guernica’, 2006

Laboratorio Saccardi, ‘Guernica invacion’, 2006 , oil on canvas, 150 x 200 cm
Laboratorio Saccardi, ‘Guernica invacion’, 2006

Pablo Picachu, Guernica, 2007
Pablo Picachu, ‘Guernica’, 2007

Goshka Macuga, The Nature of the Beast, 2009
Goshka Macuga, ‘The Nature of the Beast’, 2009

Guillaume Pellay, Tuerie, 2010, wall painting (Brest), spray paint, 350 x 767 cm
Guillaume Pellay, ‘Tuerie’, 2010

Mathieu Tremblin, Kill Lies All 2.0 (After Pablo Picasso (1937) Tony Shafrazi (1974)Felix Gmelin (1996) Guillaume Pellay (2010), 2012, spray paint, 600 x 100 cm
Mathieu Tremblin, ‘Kill Lies All 2.0 (After Pablo Picasso (1937) Tony Shafrazi (1974)Felix Gmelin (1996) Guillaume Pellay (2010)’, 2012

Toby Ziegler @ Simon Lee, invitation, 2012
Toby Ziegler @ Simon Lee, invitation, 2012








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Henri Matisse, ‘Purple Robe and Anemones’, 1937

Michael Thomson, for Vogue, 2006
Michael Thomson, for ‘Vogue’, 2006








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Meret Oppenheim, ‘Le déjeuner en fourrure’, 1936

Wieki Somers , High Tea Pot, 2003
Wieki Somers , ‘High Tea Pot’, 2003








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Salvador Dalí, ‘Téléphone - Homard’, 1936

Urs Fischer, ‘Bad Timing, Lamb Chop!’, 2004-05, cast aluminium, polyurethane resin, enamel paint, 450 x 230 x 330 cm
Urs Fischer, ‘Bad Timing, Lamb Chop!’, 2004-05

Jennifer Allora & Guillermo Calzadilla, The Camel
Jennifer Allora & Guillermo Calzadilla, ‘The Camel’s Humps and the Ironing Board’, 2010

Margaret Lee , ‘Cucumber Telephone’, 2012, archival pigment print
Margaret Lee , ‘Cucumber Telephone’, 2012

Friedrich Kunath, ‘Honey, I'm Home (Banana)’, 2012, Loafers, enamel on shaped foam and aqua resin.Banana, acrylic on shaped foam and aqua resin, sand., Two parts; 12 x 48 x 19 inches each
Friedrich Kunath, ‘Honey, I’m Home (Banana)’, 2012

François Curlet, ‘Toast Cannibale’, 2014, moto, mousse, résine, 200 x 220 x 50 cm
François Curlet, ‘Toast Cannibale’, 2014








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Man Ray, ‘The Lovers’, 1936

Robin Brailsford, Lips, 2006
Robin Brailsford, ‘Lips’, 2006

Sophie Matisse, The Lovers, 2007
Sophie Matisse, ‘The Lovers’, 2007








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