Uncategorized

Roy Lichtenstein, ‘Girl with Ball’, 1961


Marina Bolmini








no comment

George Brecht, ‘Word Event: Exit’, 1961

Ed Ruscha, Exit, 1990
Ed Ruscha, ‘Exit’, 1990

Maurizio Nannucci, Text/Exit, 1991
Maurizio Nannucci, ‘Text/Exit’, 1991

Cerith Wyn Evans, TIX3, 1994
Cerith Wyn Evans, ‘TIX3’, 1994

Olivier Mosset, Exit, 1995
Olivier Mosset, ‘Exit’, 1994

Adel Abdessemed, Exil, 1996
Adel Abdessemed, ‘Exil’, 1996

Runa Islam, Exile, 1997
Runa Islam, ‘Exile’, 1997

Christian Robert-Tissot, Exit, 2000
Christian Robert-Tissot, ‘Exit’, 2000

Bruno Peinado, Exil, 2002
Bruno Peinado, ‘Exil’, 2002

Jonathan Monk, Keep still (Exit), 2003
Jonathan Monk, ‘Keep still (Exit)’, 2003

Scott Myles (born 1975), ‘Double Exit’, 2004, screenprint on 2 papers, image each 72,3 x 102 cm
Scott Myles, ‘Double Exit’, 2004

Peter Downsbrough, ‘Exit’, 2006, lettres en acier découpé, dimensions variables
Peter Downsbrough, ‘Exit’, 2006

Axe deodorant (Unilever), 2006
Axe deodorant (Unilever), 2006

Itzik Livne, Exit, 2009
Itzik Livne, ‘Exit,’ 2009

Kelly Mark, Exist, 2009
Kelly Mark, ‘Exist’, 2009

Rafael Lozano-Hemmer, Reference Flow, 2009
Rafael Lozano-Hemmer, ‘Reference Flow’, 2009

Fender Guitars, 2011
Fender Guitars, 2011

Doug Aitken, ‘Exit’, 2013, red glass and mirror, 39 x 57 x 8 inches
Doug Aitken, ‘Exit’, 2013








no comment

Jasper Johns, ‘Painted Bronze’, 1960


Ivan Moudov, ‘Already made 1 (cans)’, 2007








no comment

Yves Klein, ‘Anthropometrie,’ 1960

Ana Mendieta, Body Tracks (Rastros Corporales), 1982, blood and tempera on paper
Ana Mendieta, ‘Body Tracks (Rastros Corporales)’, 1982

François Morrelet, Figure hâtive #1, 1986, acrylic on paper, 46x61cm
François Morrelet, ‘Figure hâtive #1’, 1986

Tracey Emin, ‘Exorcism of the Last Painting I Ever Made,’ 1996 [detail], installation including 14 paintings, 78 drawings, 5 body prints, various painted and personal items, furniture, CDs, newspapers, magazines, kitchen and food supplies
Tracey Emin, ‘Exorcism of the Last Painting I Ever Made,’ 1996 [detail]


Item Idem & Lee Cooper, ‘IKBJ (International Klein Blue Jean)’, 2008

Bernard Frize, Saser, 2011, acrylic and resin on canvas, 165x165 cm
Bernard Frize, ‘Saser’, 2011

Celine, ‘Yves Klein Dress in White,’ summer 2017 collection, printed technical light voile, polyamide
Celine, ‘Yves Klein Dress in White,’ summer 2017 collection








no comment

Arman, ‘Le plein’, 1960, galerie Iris Clert Gallery, Paris


Rokeby Gallery

Thomas Hirschhorn, Too Too-Much Much, 2010
Thomas Hirschhorn, ‘Too Too-Much Much’, 2010








no comment

Yves Klein, ‘Anthropometry performance’, 1960

Nam June Paik, ‘Zen for Head’, 1962
Nam June Paik, ‘Zen for Head’, 1962

Paul McCarthy, Face, Head, Shoulder Painting - Wall Black Line, 1972, wall, black paint
Paul McCarthy, ‘Face, Head, Shoulder Painting - Wall Black Line’, 1972

Ana Mendieta, Body Tracks (Rastros Corporales), 1982, photograph taken during a performance at Franklin Furnace, New York City
Ana Mendieta, ‘Body Tracks (Rastros Corporales)’, 1982

janine-antoni-loving-care-performance-us-london-1992-1994.jpg
Janine Antoni, ‘Loving Care’, performance, US-London, 1992-1994


Jean-Paul Gaultier

Lilibeth Cuenca Rasmussen, A Void, One out of 11 re-enactments: Anthropometries of the Blue Period. Galerie Internationale Dárte Contemporaine, Paris, 1960, Yves Klein, 2007
Lilibeth Cuenca Rasmussen, ‘A Void, One out of 11 re-enactments: Anthropometries of the Blue Period. Galerie Internationale Dárte Contemporaine, Paris, 1960, Yves Klein’, 2007

Christian Falsnaes, Existing things, 2010 [detail]
Christian Falsnaes, ‘Existing things’, 2010 [detail]

Phil Poynter, ‘Monotone Symphony’, March 2011, Ponystep Magazine, Fashion Editor/Stylist: Keegan Singh
Phil Poynter, ‘Monotone Symphony’, 2011

Elsa Wallenberg, ‘after Yves Klein dress’, 2011
Elsa Wallenberg, ‘after Yves Klein dress’, 2011

Vaneeesa Blaylock, ‘Living Brush'
Vaneeesa Blaylock, ‘Living Brush’, 2012








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Ben Vautier, ‘Faire un trou dans un mur’, 1960

William Anastasi, Wall Removal, 1966
William Anastasi, ‘Wall Removal’, 1966

Lawrence Weiner, A 36 x 36 Removal to the Lathing or Support Wall of Plaster or Wallboard From a Wall, 1968
Lawrence Weiner,’A 36″ x 36″ Removal to the Lathing or Support Wall of Plaster or Wallboard From a Wal’, 1968

Michael Asher, galerie Teselli, Milan, 1973
Michael Asher, galerie Teselli, Milan, 1973


Michel de Broin, ‘Out of the white’, 1996

Urs Fischer, Whitney Museum, 2006
Urs Fischer, Whitney Museum, 2006


Kilian Rüthemann, ‘Sans titre’, 2008

Pablo Rasgado, Unfolded Architecture (Museum Walls), 2011
Pablo Rasgado, ‘Unfolded Architecture (Museum Walls)’, 2011

Florian Cochet, ‘Gommage(s),’ 2014
Florian Cochet, ‘Gommage(s),’ 2014

Marianne Mispelaëre, ‘Palimpseste,’ 2017, surface gommée et résidus de gomme bleue, dimensions variables
Marianne Mispelaëre, ‘Palimpseste,’ 2017








1 comment