Uncategorized

John Baldessari, ‘A Painting That Has Its Own Documentation’, 1966

Eric Doeringer, A Painting That Is Its Own Documentation, 2010
Eric Doeringer, ‘A Painting That Is Its Own Documentation (after John Baldessari)’, 2010


Gabriel Díaz Romero, ‘This video is its own documentation’, 2011








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Andy Warhol, ‘Cow Wallpaper’, 1966


Richard Pettibone, ‘Warhol Cow Wallpaper’, 1971


Louise Lawler, ‘Pink & Yellow & Black Iii, (Brillo), From On A Wall, On A Cow, In A Book, In The Mail’, 1999








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William Anastasi, ‘One Gallon Industrial High Enamel, Poured’, 1966


Lawrence Weiner, ‘One pint gloss white lacquer poured directly upon the floor and allowed to dry’, 1968








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Olivier Mosset, ‘Untitled’, 1966

Michael Krebber, 2004
Michael Krebber, 2004

Francis Baudevin, ‘A’, 2012, acrylique sur toile, 99 x 165 cm
Francis Baudevin, ‘A’, 2012








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Frank Stella, ‘Tuftonboro’, 1966


Richard Pettibone, ‘Stella Tuftonboro 1966’, 1967








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Gerhard Richter, ‘Ema (Nude on Staircase)’, 1966


Yasumasa Morimura, ‘Me descending the Stairs for Gerhard Richter’, 1998

Matthias Hermann, Paris Text Pieces, 1998
Matthias Hermann, ‘Paris Text Pieces’, 1998

Louise Lawler, 2002?
Louise Lawler, 2002?


Sabine Jelinekr, ‘David on the Staircase’, 2004


Mel Ramos, ‘Nude Descending A Staircase’, 2006

Michael Wolf, Real Fake Art no. 42, Gerhard Richter, 2006, chromogenic print
Michael Wolf, ‘Real Fake Art #42, Gerhard Richter’, 2006

Mike Figgis, ‘Kate Moss Descending Staircase,’ 2007, Chromogenic print, 52 x 35 cm
Mike Figgis, ‘Kate Moss Descending Staircase,’ 2007








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Edward Ruscha, ‘Every Building on Sunset Strip’, 1966


Jonathan Monk, ‘None of the Buildings on Sunset Strip’, 2002

Frank Perrin, Streets, Ginza, 2005
Frank Perrin, ‘Street 004 / Palm Beach’, 2005


Peter Baldes‘Sunset Strip, an Ode to Ed Ruscha, Joel, and Michael’, 2007








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