Uncategorized

Ed Ruscha, ‘51% Angel, 49% Devil’, 1983


Gardar Eide Einarsson, ‘Oedipus’, 2007








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Richard Prince, ‘Spiritual America’, 1983


Olav Westphalen, ‘Nymph - 2,083.33 $ Per Square Inch (After Richard Prince, “Spiritual America”, 1983)’, 2007








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Arman, ‘Long Term Parking’, 1982

Dustin Shuler, The Spindle,1989
Dustin Shuler, ‘The Spindle’,1989








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Ed Ruscha, ‘The End’, 1982

Timm Ulrichs, The End, 1981-97, ink jet print on canvas, 150 x 150 cm
Timm Ulrichs, ‘The End’, 1981-97

Christian Robert-Tissot, The end, 2000
Christian Robert-Tissot, ‘The end’, 2000

Daniel Gustav Cramer, Untitled (the End), 2002
Daniel Gustav Cramer, ‘Untitled (the End)’, 2002

Aleksandra Mir, The End, 2005
Aleksandra Mir, ‘The End’, 2005

Mark Wallinger, The End, 2006
Mark Wallinger, ‘The End’, 2006


Kris Martin, ‘The end’, 2006


Urquhart Donald, 2007

Joao Louro, The End #01, 2007
João Louro, ‘The End #01’, 2007


Mark Geffriaud, ‘Yesterday’s News’, 2008

Bert Rodriguez, The end, 2008
Bert Rodriguez, ‘The end’, 2008

Konrad Smolenski, The End, 2008
Konrad Smolenski, ‘The End’, 2008

Admir Jahic & Comenius Roethlisberger, You Tube Drawing (The End), 2009
Admir Jahic & Comenius Roethlisberger, ‘You Tube Drawing’, 2009

Christodoulos Panayotou, The End, 2009, Installation view, Künstlerhaus Bethanien
Christodoulos Panayotou, ‘The End’, 2009

Ida Tursic & Wilfried Mille, Love Crazy, 2010
Ida Tursic & Wilfried Mille, ‘Love Crazy,’ 2010

Jordan Bernier, ‘The End’, 2013
Jordan Bernier, ‘The End’, 2013








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Vija Celmins, ‘Star Field 1’, 1982

Thomas Ruff, Stern, 18h 12m / -40°, 1989, C-print, 91x67cm framed
Thomas Ruff, ‘Stern, 18h 12m / -40°’, 1989

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Fred Tomaselli, ‘Portrait of Amy’, 1995

Thomas Demand, Constellation 2000, C-print, 130x180cm
Thomas Demand, ‘Constellation’, 2000

Renaud Auguste-Dormeuil, Guernica – April 25, 1937, 2005, inkjet print mounted on aluminum and framed, 170x150cm
Renaud Auguste-Dormeuil, ‘Guernica – April 25, 1937’, 2005

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Verne Dawson, ‘Wednesday’, 2005

Robert Longo (1953), ‘Untitled (Starfield #2),’ 2005, charcoal on paper, 125 x 236.50 cm
Robert Longo, ‘Untitled (Starfield #2),’ 2005

Damon Zucconi, Untitled (Uniform Density Star Field), 2006, (an artificially created, uniform distribution of stars)
Damon Zucconi, ‘Untitled (Uniform Density Star Field)’, 2006

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Martin Oppel, ‘Untitled (Double Cross)’, 2007

Cole Pierce, Stars With Eggbeater, 2007, Acrylic on Canvas, 72x60 inches
Cole Pierce, ‘Stars With Eggbeater’, 2007

Neal Beggs, The Helvetic System : Tarasp  [1 of 78 maps], 2008, black and white acrylic painted directly onto a folded, 1:50000 scale map of Tarasp
Neal Beggs, ‘The Helvetic System : Tarasp [1 of 78 maps]’, 2008

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Angela Bulloch, ‘Night Sky’, 2008

Ugo Rondinone, zwölftermärzzweitausendundneun, 2009
Ugo Rondinone, ‘zwölftermärzzweitausendundneun’, 2009








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Allan McCollum, ‘100 Plaster Surrogates’, 1982


Cinna








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Martin Kippenberger, ‘Untitled (Yes),’ 1981

Peter Bonde, ‘Yes,’ 1998, oil on canvas
Peter Bonde, ‘Yes,’ 1998

Rochelle Feinstein, Yes, 2000
Rochelle Feinstein, ‘Yes’, 2000

Ugo Rondinone, Hell, Yes!, 2001
Ugo Rondinone, ‘Hell, Yes!’, 2001

Sylvie Fleury, Yes To All, 2004
Sylvie Fleury, ‘Yes To All’, 2004

Aleksandra Mir, Oh Yes, 2005
Aleksandra Mir, ‘Oh Yes’, 2005

Tracey Emin, Oh Yes, 2005
Tracey Emin, ‘Oh Yes,’ 2005

Ester Partegás, Yes Collection, 2008
Ester Partegás,’ Yes Collection’, 2008

Brian Ulrich, Powerhouse Gym, 2008-09, archival pigment print
Brian Ulrich, ‘Powerhouse Gym’, 2008-09








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