Uncategorized

Jean Auguste Dominique Ingres, ‘Raphael and Fornarina’, c. 1814


Pablo Picasso, ‘Raphaël et la Fornarina. XII: Dans son fauteuil, le Pape se sent cocu’ from “La Serié 347″, 1968


Joel Peter-Witkin, ‘Raphael and la Fornarina’, 2003








no comment

Jean Auguste Dominique Ingres, ‘Grande Odalisque’, 1814

Pablo Picasso, ‘La Grande Odalisque d'après Ingres’, 1907
Pablo Picasso, ‘La Grande Odalisque d’après Ingres’, 1907

Robert Rauschenberg, Odalisk, 1955-1958, Freestanding combine, huile, aquarelle, crayon, pastel, papier, tissu, photographies, reproductions imprimées, journal, métal, verre, oreiller, poteau en bois et lampes sur structure en bois avec coq empaillé, 210,8x64,1x63,8 cm
Robert Rauschenberg, ‘Odalisk’, 1955-1958


Martial Raysse, ‘Made in Japan, La Grande odalisque’, 1964

Tano Festa (1938-1988), ‘Odalisca,’ 1967, mixed media and enamel on 4 panels, 199 x 296 cm
Tano Festa, ‘Odalisca,’ 1967

Ruytchi Souzouki, ‘Anatomie et la beaute’, 1967
Ruytchi Souzouki, ‘Anatomie et la beaute’, 1967


Orlan, ‘La Grande Odalisque’, 1968


Mel Ramos, ‘Plenti Grand Odalisque’, 1973

Erró (b 1932), ‘After Ingres’, 1975, oil on canvas, 55.9 x 99 cm
Erró, ‘After Ingres’, 1975

Guerilla Girls, Odalisc, 1989
Guerilla Girls, 1989

Stéphane Lallemand (1958), ‘Télécran de La Grande Odalisque’, 1989, Télécran, 19.5 x 24 cm
Stéphane Lallemand, ‘Télécran de La Grande Odalisque’, 1989

Julie Ann (1971), ‘Odalisque after Ingres’, 1996, c-print, 76 x 101.5 cm
Julie Ann, ‘Odalisque after Ingres’, 1996


James Rizzi, ‘La Grande Odalisque’, 2000

Michael Thompson, Julianne Moore as Ingress Grand Odalisque, 2000
Michael Thompson, ‘Julianne Moore as Ingres’s ‘Grand Odalisque’’, 2000


Isabel Samaras, ‘Wish’, 2003


Laurie Simon, ‘The Long House (Red Bathroom)’, 2004


Koya Abe, ‘After La Grande Odalisque’, 2005


Oliviero Toscani, 2007

Stéphane Lallemand, ‘La Grande Odalisque’, 2007
Stéphane Lallemand, ‘La Grande Odalisque’, 2007

Lalla Essayd, ‘Grande Odalisque’, 2008
Lalla Essayd, ‘Grande Odalisque’, 2008

Koya Abe (1964), ‘After the Grande Odalisque, Digital Art, Chapter 5, Analogies’, 2008, c-print, 57,15 x 101,6 cm
Koya Abe, ‘After the Grande Odalisque, Digital Art, Chapter 5, Analogies’, 2008


Karen Audette and Diane Gilson, ‘Ingre’s Odalisque’


TeAnne, ‘Abstract Nude’

Anton Henning, from the Pin-ups series
Anton Henning, from the ‘Pin-ups’ series

Rodney Smith, Grand Odalisque, 2010
Rodney Smith, 2010

Richmond Nicholas, ‘Grande Odalisque’, 2011
Richmond Nicholas, ‘Grande Odalisque’, 2011

Craig White, ‘Grande Odalisque’, 2011
Craig White, ‘Grande Odalisque’, 2011

Jean-Luc Moerman, ‘Epiphytes’, 2012, marker on paper, 130 x 73 cm
Jean-Luc Moerman, ‘Epiphytes’, 2012

Andrei Sharov, ‘Pink Nude’, 2014, oil on canvas, 89 x 129.5 cm
Andrei Sharov, ‘Pink Nude’, 2014








1 comment

Théodore Géricault, ‘Officier de chasseurs à cheval de la garde impériale chargeant,’ 1812

Peter Saul (1934), ‘Calgary officer,’ 1992, acrylic and oil, 162 x 121 cm
Peter Saul, ‘Calgary officer,’ 1992


Karen Kilimnik, ‘The imperial guard hussar toy soldier’, 2006


Fergal Stapleton, ‘The messengers’, 2008








no comment

Jean Auguste Dominique Ingres, ‘Baigneuse de Valpinçon’, 1808


Armand Cambon, ‘Galel’, 1864


Man Ray, ‘Le violon d’Ingres’, 1924

Hans Peter Feldmann (1941), ‘Untitled (Alte Meister),’ 1977-1978, eight offset lithographs with handcoloring, on copy paper, 42 x 29 cm
Hans Peter Feldmann, ‘Untitled (Alte Meister),’ 1977-1978

Dany Leriche, ‘Ayaba,’ 1992, chromogenic print, diptych, on verso label titled, 186 x 133 and 186 x 30 cm
Dany Leriche, ‘Ayaba,’ 1992


Mario Sorrenti, ‘Yves Saint Laurent Rive Gauche’, 1998

Miss Tic, ‘Femmes passives…'
Miss Tic, ‘Femmes passives…’

Valérie Koshlyakov, Baigneuse Valpincon, 2004-08
Valérie Koshlyakov, ‘Baigneuse Valpinçon’, 2004-08

Hans-Peter Feldmann, ‘Untitled’, oil on canvas, 106 x 91 cm
Hans-Peter Feldmann, ‘Untitled’, 2013








no comment

Antonio Canova, ‘Pauline Bonaparte-Borghese as Venus’, 1805-1808


Jacques-Louis David, ‘Madame Récamier’, 1880

Francesco Vezzoli, La Nuova Dolce Vita (From the triumph of Paolina Borghese to Eva Mendes), 2009
Francesco Vezzoli, ‘La Nuova Dolce Vita (From the triumph of Paolina Borghese to Eva Mendes)’, 2009








no comment

Francisco Goya, ‘The Third of May,’ 1808

edouart-manet-execution-of-emperor-maximilian.jpg
Edouard Manet, ‘Execution of Emperor Maximilian,’ 1867


Pablo Picasso, ‘Massacre in Korea,’ 1951

Robert Ballagh (1943), ‘The Third Of May After Goya,’ 1970, acrylic on canvas, 100 x 135 cm
Robert Ballagh, ‘The Third Of May After Goya,’ 1970


Yasumasa Morimura, ‘Brothers (Slaughter I)’, 1991

yue-minjun-execution-1989.jpg
Yue Minjun, ‘Execution’, 1995


Ju Duoqi, ‘The Vegetable Museum - 04,’ 2008

Nicholas de Lacy-Brown, ‘Norms on 3rd May 1808 (after Goya),’ 2012, watercolour
Nicholas de Lacy-Brown, ‘Norms on 3rd May 1808 (after Goya),’ 2012








3 comments

Jean Auguste Dominique Ingres, ‘Mademoiselle Rivière’, 1805

Larry Rivers (1925-2002), ‘I Like Ingres, A Copy’, 1962, oil and charcoal on linen, 152.4 x 106.8 cm
Larry Rivers, ‘I Like Ingres, A Copy’, 1962

Marcel Broodthaers (1924-1976), ‘Mademoiselle Rivière and Monsieur Bertin, 1975, 9 photographs, black and white, on paper on board, 101 x 90,5 x 5,7 cm
Marcel Broodthaers, ‘Mademoiselle Rivière and Monsieur Bertin, 1975

Patrick Raynaud, ‘Cartes postales d'Ingres, Mademoiselle Rivière’, 1991, photographies en couleur contrecollées entre plexiglas et PVC, présentoir en métal, 112 x 45,5 cm
Patrick Raynaud, ‘Cartes postales d’Ingres, Mademoiselle Rivière’, 1991


Fernando Botero, ‘Mademoiselle Riviere (After Ingres)’, 2001

Ruthie Ann, ‘Modern Day Mademoiselle Riviere-Ingres’, 2013, oil on panel
Ruthie Ann, ‘Modern Day Mademoiselle Riviere-Ingres’, 2013

Robert Wilson (1941), ‘Gaga Portraits - Mademoiselle Caroline Rivière (1793-1807) de Jean Dominique Ingres (1780-1867)’, 2013, video projection, silent, loop.
Robert Wilson, ‘Gaga Portraits - Mademoiselle Caroline Rivière’, 2013








no comment