Uncategorized

Marcel Duchamp, ‘Porte-bouteilles,’ 1914

Allan Kaprow, This is original if you want to believe it, 1992, porte-bouteille en acier, 100 x 40 x 40 cm
Allan Kaprow, ‘This is original if you want to believe it’, 1992


André Raffray, ‘Shadow of the Bottle Rack’, 1993


Huang Yong Ping, ‘100 Arms of Guan-Yin’, 1997

Phyllida Barlow, ‘Untitled (Bottle Rack)’, 2006
Phyllida Barlow, ‘Untitled (Bottle Rack)’, 2006


Bethan Huws, ‘Tour (weiss)’, 2007


Haim Steinbach, ‘Onestar Assisted’, 2007

Kendell Geers,, Rack, 2009, Metal and beer bottles, 71 x 74 cm diameter
Kendell Geers, ‘Rack’, 2009

Stefan Nikolaev, Candélabre, 2010
Stefan Nikolaev, ‘Candélabre’, 2010

Lilian Bourgeat, ‘Entre N. Hérisson et M. Duchamp,’ 2011
Lilian Bourgeat, ‘Entre N. Hérisson et M. Duchamp,’ 2011

Thomas Eller, ‘The white male complex, n° 11 (endgames),’ 2014, tryptique, papier baryté sur dibond. 200 x 306 cm
Thomas Eller, ‘The white male complex, n° 11 (endgames),’ 2014








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Carlo Carra, ‘Red Horseman’, 1913

Roy Lichtenstein, The Red Horseman, 1974, oil and magna on canvas, 213.4 x 284.5 cm
Roy Lichtenstein, ‘The Red Horseman’, 1974








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Umberto Boccioni, ‘Unique Forms of Continuity in Space’, 1913

Robert Longo, Untitled (After Boccini, Unique Forms of Continuity in Space, 1913), 2008
Robert Longo, ‘Untitled (After Boccini, Unique Forms of Continuity in Space, 1913)’, 2008

Anna Louise Mack, Unique Forms of Continuity in Space, 1913-2010
Anna Louise Mack, ‘Unique Forms of Continuity in Space’, 1913-2010








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Carlo Carrá, ‘Cavaleiro Vermelho’, 1913


Roy Lichtenstein, ‘Cavaleiro Vermelho’, 1974








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Piet Mondrian, ‘Composition XIV’, 1913

Braco Dimitrijević, Triptychos Post Historicus, 1978, Stedelijk Van Abbemuseum Eindhoven, I: Composition XIV, Piet Mondrian, 1913, II: Hans Biezens guitar, III: Bananas
Braco Dimitrijević, ‘Triptychos Post Historicus’, 1978








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Marcel Duchamp, ‘Roue de bicyclette,’ 1913

Jean-Michel Sanejouand, Zoë, 1963
Jean-Michel Sanejouand, ‘Zoë’, 1963

Robert Filliou, For Duchamp, 1969
Robert Filliou, ‘For Duchamp’, 1969


COUM, ‘Marcel Duchamps Next Work’, 1974 (Palais des Beaux-Arts, Brussels)

Chris K - Motorcycle Art (MCart), ‘Famous work of art, bicycle wheel by Marcel Duchamp’, 1979
Chris K - Motorcycle Art (MCart), ‘Famous work of art, bicycle wheel by Marcel Duchamp’, 1979

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Bertrand Lavier, ‘Brandt sur Haffner’, 1984

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Mike Bidlo, ‘Not Duchamp (Bicycle Wheel, 1913)’, 1986


Philippe Thomas, ‘Readymade Belong to Everyone’, 1990

Jean-Pierre Raynaud (1939), ‘Hommage à Duchamp,’ 1993, Faience tiles on aluminum, wheel, 77 x 77 x 14,5 cm
Jean-Pierre Raynaud, ‘Hommage à Duchamp,’ 1993


Thomas Hirschhorn, ‘U-Lounge’, 2000

Rob Pruitt, Low Rider Art, 2004
Rob Pruitt, ‘Low Rider Art’, 2004

Sebastian Errazuriz, Complete, 2005
Sebastian Errazuriz, ‘Complete’, 2005

Richard Hamilton, Readymade Shadows, 2005-06
Richard Hamilton,‘ Readymade Shadows’, 2005-06

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Michael Marriot, ‘Readymade Recycled’, 2006


Thomas Lélu & Jean-Max Colard, ‘Roue de vélo, After Marcel Duchamp’, 2006

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Michael Gumhold, ‘Movement #1913–2007, 2007’

Christoph Höschele, Blainville-Crevon - Neuilly sur Seine, 2007, computer supported video installation, interactive ready made object, 2 channel videoinstallation, max/msp/jitter software
Christoph Höschele, ‘Blainville-Crevon - Neuilly sur Seine’, 2007

Oliver Payne & Nick Relph, Brother Dear Brother, 2007
Oliver Payne & Nick Relph, ‘Brother Dear Brother’, 2007

Cézary Bodzianowski, ‘Giro d’italia’, 2007
Cézary Bodzianowski, ‘Giro d’italia’, 2007


Ji Lee, ‘Duchamp Reloaded’, 2009

Keith o’Faoláin, ‘ReadyMix’, 2010
Keith o’Faoláin, ‘ReadyMix’, 2010








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Marcel Duchamp, ‘Mariée’, 1912


Richard Pettibone, ‘Marcel Duchamp, ‘Mariée’, Munich, 1912, #5’, 2000








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